Поменяться местами (1983) #reviews, #showtimes, #dvds, #photos, #message #boards, #user #ratings, #synopsis, #trailers, #credits


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Поменяться местами (1983 )

Storyline

Plot Keywords:

Taglines:

They’re not just getting rich. They’re getting even. See more

Genres:

Certificate:

Parents Guide:

Details

Country:

Language:

Release Date:

8 June 1983 (USA) See more

Also Known As:

Die Glücksritter See more

Filming Locations:

Box Office

Budget:

$15 000 000 (estimated)

Gross:

Company Credits

Production Co:

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

Did You Know?

Trivia

Goofs

When Billy Ray is giving the briefcase to Louis, the two baggage handlers walk past Billy with a bag of pretzels (the Keebler logo is shown). In the next shot, the baggage handlers are in the bar car. See more

Quotes

[ first lines ]
Coleman. [ holding a breakfast tray while Louis is still asleep ] Your breakfast, sir.
See more

Crazy Credits

The names of the major actors/actresses are shown superimposed on short clips from the film. The clips showing Dan Aykroyd, Eddie Murphy and Jamie-Lee Curtis respectively are obvious outtakes as they all crack up and burst into smiles and/or laughter. See more

Connections

Soundtracks

DO YOU WANNA FUNK
by Patrick Cowley Sylvester
Performed by Sylvester
Courtesy Megatone Records
See more

Frequently Asked Questions

User Reviews

Hugely funny film – Eddie Murphy’s finest moment

Right from the opening credits, this film shows quality. It stands above other comedies due to the lack of filler material – every line is memorable. The cast is great; the two leads make the most of their characters (both as brokers and bums) but never overstep the mark, thanks partly to the tight editing. The plot becomes a little bizarre, but by that time you’re already hooked, and the ending of the film is pure joy. To my mind, no recent comedy has been this good; it mixes high and low brow jokes without resorting to toilet humour, it doesn’t pull any punches (spot the social commentary), the performances are masterful and the script achieves depth without sacrificing the one-liners or slowing the pace.

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